Tusk was the long awaited follow-up to Fleetwood Mac's globally successful Rumours album and was around 18 months in the making. It was reportedly the most expensive album ever to have been made at the time and was deemed by many critics to be a failure, despite reaching number 1 in the UK, and number 4 in the US.
Sales were certainly paltry in comparison to Rumours and reasons put forward for this ranged from the cost of a double album, the LP being played on radio stations prior to it release in the US leading to wide-scale taping, to the musical content not being "Rumours 2".
Guitarist Lindsey Buckingham was determined the album was not going to be Rumours 2. He had apparently been listening a lot to Talking Heads and want the next album to be relevant in the post-punk/new wave world.
Buckingham was the dominant force on "Tusk" with nine of the 20 songs, whereas Christine McVie contributed 6 and Stevie Nicks wrote 5. He was also in charge of the production, apparently with a "my way or the highway" stance.
Reviewers comments included "art-house", "self indulgent", "experimental",
"post-punk" & "sparse" although these generally were directed at
Buckingham's contributions. McVie's songs were her usual consistent, lightweight but great tunes, and Nicks' varied from soulful ballads/lullabies to her trademark witchy personna.
Another comment was that it was more like collection of three separate solo artists put together for a compilation album. It might have been interesting had the tracks been ordered by composer eg a side each for Nicks and McVie and two for Buckingham, like Pink Floyd's "Ummagumma", or adoption of a Rod Stewart fast side/slow side approach.
Personally, I thought "Tusk" was a tremendous LP and I could still remember every song on the track-list. Indeed, it is some achievement in that I didn't think there was one bad song out of the 20, but I could understand why some people struggled with the vastly different styles covered over the 70+ minutes of music.
Choosing the title track as the first single from the album certainly sent out a clear message that the group were going in a completely different direction from the previous two albums from the new incarnation of the band since Buckingham and Nicks joined, and "Tusk" is one of the highlights. However, there are many candidates for the accolade of best song on the album, and "Storms" would probably get my vote if forced into a decision.
"Over & Over" is a superb opener to Side One. Slow, dreamy and with a gorgeous vocal from Christine McVie, it sets a slightly false impression of what is to follow, and might lead the unsuspecting listener to think it was a continuation from where Rumours left off.
However, any such notion would be quickly dispelled by "The Ledge", all fuzz box guitar, shouted vocal, a bouncy, almost compelling danceable rhythms and an indication of Buckingham's desire to be David Byrne. It was the first of three tracks on Tusk recorded featuring just Lindsey, and apparently even the Stevie Nicks sounding backing vocals were Buckingham's voice going through some alteration device.
McVie's "Think About Me" is similar to her "Don't Stop from Rumours. "I don't hold you down, but maybe that's why you are around".
"Save Me A Place" is slow, strange number with simple chords but it works. Again it is just Buckingham.
Side One closes with "Sara", the first song from Stevie Nicks. Over 6 minutes long, the bass and drums drive the rhythm, and together with dreamy backing vocals and hypnotic vocals, build to the crescendo ending. If asked to describe a typical Nicks song it probably would be this.
"What Makes You Think You're The One" begins Side Two. With heavy drums and piano, it is quintessentially the sound of the Buckingham songs on the album.
"Storms" follows and is a beautiful song, like "Dreams" but, in my opinion much better. For most parts it is just a slow plucked electric guitar and Nicks' voice, and I love the backing vocals towards the end of the song. Buckingham always seemed to be able to add an important structure to Nicks' songs.
The slow "That's All For Everyone" was allegedly inspired by the legendary unreleased Beach Boys' LP "Smile", which Buckingham reportedly gained access to.
"Not That Funny" is another fuzz guitar and heavy drum song although it has a nice keyboard break before again the side ends with another Stevie Nicks song. "Sisters Of The Moon" has a strong bass line intro and great guitar, and is a standard Nicks overblown drama, similar to "Gold Dust Woman".
A Nicks song starts Side Three. "Angel" starts more like a McVie composition with a "You Make Loving Fun" toe tapper keyboard rift before leading into more familiar territory. To add to the collection of misheard lyrics I'd always thought Stevie was singing about John Denver and a 4 hit song but was disappointed to learn the lyric was actually "like a charmed hour and a haunting song"
Buckingham's "That's Enough For Me" is more Zydeco and "Cotton-eye Joe" rather than Talking Heads/new wave, but doesn't suffer in any way because of it.
McVie's mournful "Brown Eyes" has superb backing harmonies and strong drumming, but perhaps is more notable for ex-Fleetwood Mac founder Peter Green being credited for the guitar on the outro.
"Never Make Me Cry" is the album's "Songbird", and the side finishes with "I Know I'm Not Wrong", with more fuzz box guitar and heavy drumming. It has a great melody and a fab instrumental synth break.
Side Four starts with "Honey Hi", another lightweight, dreamy McVie song, with more lovely harmonies and a nice guitar outro.
Nicks' "Beautiful Child" is another great song, with a slow tempo and some lovely piano. "Your eyes say yes, but you don't say yes".
"Walk A Thin Line" has a slow tempo and plodding drums, but is saved by its strong harmonies.
The title track comes as track 4 on side 4 and bizarrely features the USC Trojan Marching Band recorded in the LA Dodgers Stadium, tribal drums, a strong bass riff, jagged guitars and Red Indian style vocals. Remarkably, it is much better than that description sounds, and became the highest charting song for Fleetwood Mac in the UK in the Buckingham/Nicks era, and remained so until "Everywhere" was released in 1987.
"Never Forget" ends the album, a slight McVie song to book-end the rest of the material. It has a great vocal and is another one of my favourites on the album. "Stars must be my friend to shine tonight"
As already stated, "Tusk" remains a truly great LP, without a bad song out of twenty. It stands the test of time, and to this listener has aged much better than Rumours.
Track Listing :
Side One :
1. Over & Over
2. The Ledge
3. Think About Me
4. Save A Place
5. Sara
1. What Makes You Think You're The One
2. Storms
3. That's All For Everyone
4. Not That Funny
5. Sisters Of The Moon
Side Three :
1. Angel
2. That's Enough For Me
3. Brown Eyes
4. Never Make Me Cry
5. I Know I'm Not Wrong
1. Honey Hi
2. Beautiful Child
3. Walk A Thin Line
4. Tusk
5. Never Forget
Released 1979
UK Chart Position : 1
Tusk ( No 6 - 1979 )
Sara ( No 37 - 1979 )
Think About Me ( - 1980 )
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