Rush - Spirit Of Radio

 

This is not an album, but a 12 inch single !  I think I opted for the 12 inch as this was the full length album version at nearly 5 minutes, whereas the UK single had been edited down to barely 3 minutes.

I remember a concert review in the New Musical Express, possibly in 1978, when the journalist was puzzled as to how a little known Canadian band had sold out a large venue in Manchester. Speaking to some of those at the gig, he was surprised to be frequently told Rush were the best rock band in the world. This also came as a surprise to this reader, as Rush were never played on the radio, had never appeared on the few music programmes on TV in the 1970s, nor previously been mentioned in the UK music press, which at the time was focused on punk or new wave acts.I had never heard of Rush.

The article also called the band fascists, based on a couple of their songs being inspired by writer Ayn Rand, who at the time was incorrectly labelled as a proponent of anarchism. The band were apparently furious at this description.  

By 1980, Rush had released their "Permanent Waves" album, and embarked on another sell-out tour of the UK, and in support, released "Spirit Of Radio" as a single, which became their first ( and only ) UK Top 20 hit. I was blown away when I first heard it !

The introductory guitar riff is a standard Rock n' Roll one, but the song then launches into a different, glorious riff for the main theme. Towards, the end of the song is a short reggae style section, entwined with the return of the opening riff, before launching into a searching guitar solo. It's still an absolutely brilliant song !

Of the other songs, "The Trees" was from their 1978 album "Hemispheres", which lyrically describes the struggle of maple trees to get more sunlight but the oaks are too tall. In the end "all trees are all kept equal by hatchet, axe and saw". The song begins with acoustic guitar for the intro and first verse, giving it a "Stairway To Heaven" vibe, before turning into a mainstream rock song for the second verse. The middle section has a soft synthesized break after which there's a tasteful guitar solo. Overall, it reminded me a little of Yes, partly as Geddy Lee's singing here has Jon Anderson like qualities.

"Working Man" comes from Rush's 1974 eponymous debut album and is the bonus track on the 12 inch single, not being on the 7 inch single, and is over 7 minutes long. It sounds a lot like Led Zeppelin, especially with Geddy Lee's voice also being similar to Robert Plant's, but there is a Richie Blackmore/Deep Purple/Rainbow style extended guitar solo for over three minutes before the song returns back to Led Zep style verse and chorus, and a big dramatic finish. It's not really my kind of music. 

Track Listing :

1. Spirit Of Radio
2. Trees
3. Working Man

Released 1980
UK Chart Position : 13  

 

Todd Rundgren - Hermit Of Mink Hollow

 

I was aware of Todd Rundgren's 1972 hit "I Saw The Light" but when I started buying the Music Papers in the mid-to late 1970s, Rundgren would typically be criticised for the self-indulgent Utopia albums and concerts. However, the reviews of his "Hermit Of Mink Hollow" album all appeared to be favourable, using phrases like "a return to form", "his most accessible work in ages" etc

When I saw the album in my local record store I took a chance a bought it, and I thought it was a very good album. Rundgren played all the instruments on the album, which was recorded at his home in Mink Hollow Road, New York State, hence the title.

The track listing on the back sleeve is very different to that on the disc. Apparently there was a late change to appease US record label executives to have an Easy Side and a Difficult Side, although that seems to refer to the topic of the lyrics rather than the music.

My memory was that I thought there wasn't a bad track on the LP, although the only song I could now remember was "Can We Still Be Friends", which was a hit in the US but wasn't released in the UK. The song was subsequently covered by Robert Palmer and Rod Stewart amongst others. 

Listening to the record now was a slight disappointment, as it wasn't quite as good as I thought it would be. Overall, it is mostly pleasant Middle Of The Road music, there are four piano ballads, but a few of the songs lack a killer hook or something memorable. They are harmless, inoffensive background music. That said there are four tracks I would classify as very good, and apart from perhaps the quirky Onamatopoeia there still isn't a bad song here.

Starting with the positives, the opening song "All The Children Sing" is a joyous upbeat number with a singalong chorus and wouldn't be out of place in a high school musical. It is infectiously happy, and given the title there are some children backing vocals, although it wouldn't be a surprise to learn that was actually Todd singing, as he had done everything else on the album ! 

The song starts with an organ and saxophone intro before the bouncy verse. Lyrically the song is about having an epiphany. "And a bell in her head will ring" & "The sun and moon collide, isn't gravity a funny thing. The universe explodes apart, all the children sing"

The US hit "Can We Still Be Friends" is a Carole King style piano ballad with Eagles style backing vocals and a beautiful middle break, whilst "Determination" is bright power pop. The album closer "Fade Away" is an uplifting and dreamy power ballad with a pleasant Cocteau Twins guitar sound and soul backing vocals. "In a hundred million years, when the planet disappears. You and I will stay, and watch the world fade away".

Of the other piano ballads, "Hurting For You" has a screeching guitar solo which felt it belonged in another song and "Bag Lady", a song about a homeless lady, is melancholic, has a Gerry Rafferty saxophone solo, a short spoken vocal reminiscent of David Bowie's "Sweet Thing", and more Eagles style backing vocals. "Lucky Guy" has a Queen 1975 style guitar break but the melody is very similar to the New Zealand National Anthem !

"Out Of Control" is an attempt at heavy rockwhere Todd again channels his inner Brian May in the guitar solo, and "You Cried Wolf" is uptempo toe-tapping catchy pop rock with a mad sax solo and a hint of Rock N' Roll piano.

"Too Far Gone"  has a slightly funky samba beat drumming in the verses but a smooth chorus, whereas "Bread" has a guitar sound and chorus like something from Boston but overall the song reminded me a little of Jackson Browne.

The outlier "Onamatopoeia" is a fast paced, almost circus act music which is supposed to be childish fun but the novelty wears off.

A lot of "Hermit OF Mink Hollow" reminded me of other songs I had heard before but couldn't quite place, although maybe that was just me remembering them from when I first played the album way back when ! 

Track Listing :

Side One :

1. All The Children Sing
2. Can We Still Be Friends
3. Hurting For You
4. Too Far Gone
5. Onamatopoeia
6. Determination

Side Two :

1. Bread
2. Bag Lady
3. You Cried Wolf
4. Lucky Guy
5. Out Of Control
6. Fade Away

Released 1978
UK Chart Position : 42