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Friday, 15 October 2021

The Cure - Boys Don't Cry


Boys Don't Cry was the US release of the first album of The Cure, and comprised of most of Three Imaginary Boys, plus the first three singles - "Killing An Arab", Boys Don't Cry" and "Jumping Someone Else's Train". With the inclusion of three outstanding non-album singles, and the exclusion of some of the lessor songs on "Three Imaginary Boys", "Boy's Don't Cry" is obviously a much better album to listen to.

The songs from TIB that were replaced were understandably "Foxy Lady", "Meathook", "So What", "The Weedy Burton" and perhaps more surprisingly "It's Not You" which was in the opinion of this writer, one of the better "post-punk" songs on TIB.

"Jumping Someone Else's Train" was a real shock when it was released as the "tinny" sound from "Three Imaginary Boys" had been replaced with a totally different mix with the guitar much more to the fore. "Boys Don't Cry " is possibly the best "pop" song the Cure have ever released so obviously it's inclusion would add to any Cure album.

Actually listing the song titles, as opposed to the obscure hieroglyphics on TIB, is also a huge positive for this LP ! 

I can't remember where I purchased the US import from but the sticker on the album cover shows I paid £3.99 from Our Price Records....

Track Listing :

Side One :

1. Boys Don't Cry
2. Plastic Passion
3. 10:15 Saturday Night
4. Accuracy
5. Object
6. Jumping Someone Else's Train
7. Subway Song

Side Two :

1. Killing An Arab
2. Fire In Cairo
3. Another Day
4. Grinding Halt
5. World War
6. Three Imaginary Boys

Released : 1980
UK Chart Position : N/A

Singles :

Killing An Arab ( - 1978 )
Boys Don't Cry ( 22 - 1978/1986 )
Jumping Someone Else's Train ( - 1979 )




The Cure - Three Imaginary Boys

 


The list of famous people to come from Crawley, my home town, is not a particularly long one. Growing up, there was boxer Alan Minter, who won the World Middleweight title and an Olympic Bronze medal, and twice Olympic decathlon champion Daley Thompson. Nowadays there is England football coach Gareth Southgate, and perhaps comedian Romesh Ranganathan, and maybe TV presenter Dan Walker. Below this we are really scraping the barrel. However, to me, Robert Smith ( and some of the other members of The Cure ) are the ones to be most proud of, and the easy winners of the "Most Famous To Come From Crawley" award.

I was in the Sixth Form at Thomas Bennett Comprehensive when Three Imaginary Boys came out. Robert Smith, Lol Tolhurst and Michael Dempsey had attended St Wilfried's Roman Catholic School but were two school years higher, so I wouldn't have played any schools sports against them, even if they played any sport ! 

There was a lot of excitement when it was reported that The Cure would be playing at Northgate Community Centre, one of the neighbourhoods of Crawley, just after the release of "Three Imaginary Boys". The internet records this concert as being on April 29, 1979. Myself and some friends made the walk over to Northgate, but got nowhere near to the Community Centre due to the vast number of people who had turned up in the hope of getting into the tiny venue, so we turned away and went to the pub instead.

I had to wait until I was at Cardiff University until I finally saw The Cure in concert. My memory was that this was in 1981 on the "Faith" tour, where the film of "Carnage Visors" was the opening act, and I was pretty sure that "Primary" was one of the songs played. However, there is no trace of this concert listed anywhere I can find on the internet, although there is one from November 1980, where "Primary" is not on the set-list, and it was before "Carnage Visors" was released. Perhaps I am I going senile.............

Three Imaginary Boys was notable for its cover, with the record label deciding that The Cure should be anti-image, and so the three band members were represented by household appliances, namely a lamp, a fridge and a vacuum cleaner. More annoyingly the song titles were not listed and instead were represented by a symbol or a drawing. It was only when I purchased Boys Don't Cry, the repackaged US version, that I knew the titles for sure !

I bought the album more out of loyalty to the local boys made good, and without having heard any of the songs, although I had heard and liked the single "Killing An Arab", which isn't included on the album. I was pleasantly surprised how good some of the songs were, particularly liking the first three songs and also tracks 4, 5 & 6 on side two. I thought there were a couple of duds though.  I couldn't see the point of the Jimi Hendrix cover "Foxy Lady", which didn't seem to fit in with the rest of the album, and I thought "Meat Hook" was dreary, and "Subway Song" an awful filler.

The sound was minimalist and stark, dominated by the bass lines and vocals, with the guitar and drums sounding very "tinny", and it very much fitted into the "post-punk" label that was applied to it at the time. Unlike later Cure albums, where keyboards feature heavily, this is very much a three-piece band of guitar, bass and drums.

"10:15 Saturday Night" is probably the song which is best remembered from the album, usually being the track taken to represent the LP in any compilation set, and is included on the "Staring At The Sea" singles collection, having apparently been released as a single in France ! With the line "And the tap drips, drips, drips, drips, drips....." featuring regularly the guitar replicates the sound of a dripping tap. The song is quite hypnotic, and the structure of the song is quite mature for a young band's first album.

"Accuracy" is quite funky and catchy, driven along by the bass line. "Practice all day for accuracy" could suggest they were signing about playing darts, but probably isn't.

"Grinding Halt" could be a Buzzcocks song, with a sharp, jerky rhythm and the bass line repeating the melody. As the title suggests, the song ends with a halt.

"Another Day" is a slower number which wouldn't have been out of place on the subsequent "Seventeen Seconds" or "Faith" albums if it had a different arrangement. It also points in the direction of "Faith" lyrically with "Winter in watercolours, shades of grey"

"Object" is another Buzzcocks "post-punk" style song "But don't try to fool me 'cause I can see through your disguise, you're just an object in my eyes" whereas "Subway Song" is mainly jazz style bass and a spoken vocal, with finger clicking and harmonica in the fade-out. Personally, I think it is spoilt by the scream to finish but actually, it wasn't as bad as I remembered.

There are probably a lot of better Jimi Hendrix songs than "Foxy Lady" that could have been covered and this sounds very much like it was recorded in one take or as a demo. It's not even sung by Smith, with Michael Dempsey singing instead.

"Meat Hook" has an echo added to some of the vocal and features another jazzy bass-line,. It also sounded better 40 years later. 

The urgent pace returns with "So What" and it is probably about as angry as The Cure have ever sounded. "And if you knew that nothing could replace you. If you were sane your heart wouldn't ache, but so what ?"

"Fire In Cairo" retraces the Arabian vibes of "Killing An Arab", with the chorus having each letter of the title sung rapidly. It's probably the most easily accessible "pop" song on the album.

"It's Not You" is another "post-punk" track with a great guitar riff, bordering into pop territory. "You wear your smile like it's going out of fashion, dress to inflame but douse any idea of passion". "I would murder you if I had the alibi here in my hand, but you just laugh cause you don't understand"

"Three Imaginary Boys" also hints at the direction of both the song "Seventeen Seconds" and the album itself with a slower tempo but still manages to be a toe-tapper. There's quite a catchy chorus and it has one of the few guitar solos on the album. "Close my mind and hold so tight, scared of what the morning brings. Waiting for tomorrow never comes".

"The Weedy Burton" wasn't credited on the album sleeve or the label of the record and is a short jazz flavoured instrumental outro. It's best to think of it as a bonus filler.

In summary, "Three Imaginary Boys" sounded ever better now that what I remember from 40 years ago. However, anyone who first discovered The Cure at the time of the "Disintegration" album will probably be disappointed by that this is nothing like the atmospheric, but gloomy Gothic reputation the band subsequently acquired. 

Track Listing :

Side One :

1. 10.15 Saturday Night
2. Accuracy
3. Grinding Halt
4. Another Day
5. Object 
6. Subway Song

Side Two :

1. Foxy Lady
2. Meathook
3. So What
4. Fire In Cairo
5. It's Not You
6. Three Imaginary Boys
7. The Weedy Burton

Released : 1979
UK Chart Position : 44

Singles : 
None






Saturday, 9 October 2021

Elvis Costello - Taking Liberties

 


"Taking Liberties" was only released in the USA and Canada and consisted of B-sides and other Elvis Costello tracks not previously released in North America. I have no idea how I came across a copy, but I suspect I may have found it in a record shop in Cardiff whilst at University there. Wherever it was, the ticket on the cover informs it was reduced from £7.98 to £4.99.

Like "Get Happy !", twenty songs are on the album but at the time I was disappointed, but after all most of the tracks are B-Sides or not previously released for a reason. I do remember the versions of "Girl's Talk", "Getting Mighty Crowded" and "Crawling To The USA" whilst "( I Don't Want To Go To ) Chelsea" was a big hit single and the quaint "Sunday's Best" was omitted from the US version of "Armed Forces" as it was considered to be "too English". "Night Rally" was on the UK release of "This Year's Model".

A session version of  "Hoover Factory" had received some late night airplay on Capital Radio as had "My Funny Valentine". Stranger In The House" was part of a limited released single with the first album "My Aim Is True" but the other tracks had been wiped from my memory.

The punkish "Clean Money" was previously unreleased and probably shouldn't have been. Dave Edmunds covered "Girl's Talk" in 1978 and his much faster, guitar orientated version is miles better than Elvis' own. "Talking In The Dark" is instantly forgettable.

The Country and Western "Radio Sweetheart" is quite catchy though and there is a hint of "Pay It Back" from "My Aim Is True". "Black And White World" was one of the worst songs on "Get Happy !" and whilst this slower demo version is very different, it is no better. "Big Tears" was the B-Side to "Pump It Up" and sounds like a poorer version of "Less Than Zero".

"Just A Memory", a slow piano based ballad is OK but nothing special, whilst "Stranger In The House" is another Country and Western song which was excluded from "My Aim Is True" as it didn't fit with the angry, new wave sound of the rest of the album. Together with "Radio Sweetheart" it gave a clue to the direction that led to the 1981 album "Almost Blue", in which Elvis recorded covers of Country and Western songs.

The version here of "Clowntime is Over" is really slow and I much prefer the hectic beat of the performance of it included on "Get Happy !"

"Getting Mighty Crowded" was written by Van McCoy and was the B-Side of High Fidelity. With it's lively dance beat it would fitted perfectly on "Get Happy !"

Listening now to "Hoover Factory" was disappointing as I had thought it was a good song, but now it sounds dreary, and it's now understandable why it wasn't previously released

"Tiny Steps" sounded very familiar and had me thinking it must have been on "Armed Forces", but having checked I confirmed it wasn't ! It was the B-Side of "Radio, Radio", which is where I must have remembered it from, but going through my collection of singles I don't have "Radio, Radio"..........

"Dr Luther's Assistant" has an almost sing-along chorus and the R&B flavoured "Crawling To The USA" was not nearly as good as I thought it was. The frantic "Wednesday Week" is just noise until an odd slower, melodic ending.

Elvis' cover of Rodgers and Hart's "My Funny Valentine", written in 1937 and recorded by hundreds of artists, is tenderly performed, but I think you have to be in the right mood for it !

"Ghost Train" is pretty mediocre, being a jumble of different ideas that somehow don't fit together.

The album would have been better if songs not included on UK album releases so as "Radio Radio", "Watching The Detectives" and the outstanding "(What's So Funny 'Bout ) Peace, Love and Understanding had been added. The other observation is that "Taking Liberties" is generally lacking in the inventive and clever lyrics that are a noticeable feature of the main studio albums.

Track Listing :

Side One :

1. Clean Money
2. Girl's Talk
3. Talking In The Dark
4. Radio Sweetheart
5. Black And White World
6. Big Tears
7. Just A Memory
8. Night Rally
9. Stranger In The House
10. Clowntime Is Over

Side Two :

1. Getting Mighty Crowded
2. Hoover Factory
3. Tiny Steps
4. ( I Don't Want To Go To ) Chelsea
5. Dr Luther's Assistant
6. Sunday's Best
7. Crawling To The USA
8. Wednesday Week
9. My Funny Valentine
10. Ghost Train

Released 1980
UK Chart Position : N/A ( No 28 in the USA )